This exhibition , shows a  series of 20 miniature pieces created , for the most part, with recycled materials that have been collected on the beaches of the artist country Juan Butten. This exhibition invites reflection on the seriousness of pollution in the oceans. Currently, the amount of plastic waste floating adrift is so preoccupant that is predicted to even exceed the number of fish by 2050. In the In recent years, numerous ‘islands’ of garbage have been detected on the high seas, mainly in the Pacific Ocean, and thousands of animals have been found dead on the coasts due to the waste ingestion.

These collected materials, which harm our ecosystem, were used to represent a part of our folklore and, at the same time, rescue fragments of our history. In works, the relativity of the effect of time on things is highlighted, emphasizing that, despite their passage, they only alter their beauty, but they do not lose it. The recreation of these scenarios seeks to capture the beauty that arises from change. The implementation of recycled materials reminds us of the social responsibility we have with the environment and evokes a feeling of nostalgia, reminding us that not everything has an expiration date and that not everything must be deleted. It emphasizes that all stages are beautiful and necessary, a principle that is It can apply both in the case of structures and in the case of things and people. It reminds us that, although we cannot live in the past, it is not so easy to erase it from our essence, since the impact of time is undeniable and immutable, and a parallelism is an obvious relationship between what rust represents for zinc and wrinkles for a person. Although some aesthetic procedures try to erase them, wrinkles remind us that we have lived.