{"id":2011,"date":"2025-01-21T16:58:16","date_gmt":"2025-01-21T16:58:16","guid":{"rendered":"https:\/\/juanbutten.com\/?p=2011"},"modified":"2025-01-28T02:02:47","modified_gmt":"2025-01-28T02:02:47","slug":"the-last-time-i-saw-luis-terror-dias","status":"publish","type":"post","link":"https:\/\/juanbutten.com\/es\/the-last-time-i-saw-luis-terror-dias\/","title":{"rendered":"La \u00faltima vez que vi a Luis \"Terror\" D\u00edas"},"content":{"rendered":"

Juan Butten<\/em>
January 21, 2025<\/strong><\/p>\n\n\n\n

El 8 de diciembre de 2009, los peri\u00f3dicos de mayor circulaci\u00f3n en la Rep\u00fablica Dominicana informaron sobre la muerte de Luis \"Terror\" D\u00edaz. Dos d\u00edas antes, hab\u00eda estado bebiendo ron con \u00e9l, junto a Joselo, frente a un negocio ubicado justo frente a Casa de Teatro. Esa noche entend\u00ed por qu\u00e9 le llamaban El Terror<\/em>.<\/p>\n\n\n\n

En los peri\u00f3dicos, todos hablaban de la grandeza de sus canciones y destacaban su importancia en el arte popular dominicano, situ\u00e1ndolo como uno de los compositores m\u00e1s relevantes de los \u00faltimos treinta a\u00f1os. Los elogios y las alabanzas hacia sus grandes aportes a la cultura dominicana, especialmente en la m\u00fasica, llenaban las p\u00e1ginas de los segmentos culturales. Tambi\u00e9n se resaltaban sus investigaciones sobre los g\u00e9neros musicales dominicanos.<\/p>\n\n\n\n

En varias conversaciones que tuve con \u00e9l, Luis comparti\u00f3 su pasi\u00f3n por la m\u00fasica, su vasto conocimiento sobre personajes de la zona colonial e incluso, de manera divertida, me cont\u00f3 sobre Shakira y la \"jeepeta\" que le hab\u00eda enviado como regalo, despu\u00e9s de usar sin su consentimiento un estribillo de su famosa canci\u00f3n \u201cBaila en la calle de d\u00eda, baila en la calle de noche\u201d<\/em> en el \u00e9xito de Shakira \u201cHips Don\u2019t Lie\u201d<\/em> without his consent.<\/p>\n\n\n\n

A pesar de conocer la grandeza de Luis, me daba tristeza que los peri\u00f3dicos, al rese\u00f1arlo, se centraran solo en lo m\u00e1s superficial: su carrera musical. Si bien reconoc\u00edan su talento y la importancia de sus canciones, no mencionaban las muchas capas que compon\u00edan su vida. Hab\u00eda mucho m\u00e1s que contar, desde sus experiencias con otros artistas hasta sus historias personales.<\/p>\n\n\n\n

Los peri\u00f3dicos dec\u00edan que Luis naci\u00f3 en Bonao, Rep\u00fablica Dominicana, pero la informaci\u00f3n sobre su infancia era difusa o casi inexistente. Se hablaba de sus sobresalientes temas musicales, sus aportes al folclore dominicano, y se describ\u00eda su personalidad como un hombre de \"boca dura y coraz\u00f3n blando\", un ser humano extraordinario. Sin embargo, ninguno de los diarios mencion\u00f3 c\u00f3mo era una noche con Luis en la zona colonial de Santo Domingo, ni c\u00f3mo era \u00e9l como persona.<\/p>\n\n\n\n

Yo s\u00ed conoc\u00ed esas historias, porque desde muy ni\u00f1o tuve el privilegio de conocerlo. Luis fue muy amigo de mi pap\u00e1 y de mi t\u00edo, y mi pap\u00e1 me cont\u00f3 una an\u00e9cdota que nunca me atrev\u00ed a preguntar a Luis. En la d\u00e9cada de los 70, en la esquina de la calle Palohincado y Mercedes, mi pap\u00e1 vio a Luis con su guitarra en una madrugada. Le pregunt\u00f3: \"Luis, \u00bfpa' d\u00f3nde vas?\" Y \u00e9l le respondi\u00f3: \"Voy para donde Paniagua, en el barrio Mar\u00eda Auxiliadora, cerca del Hospital Morgan\". Luis iba a tocar con uno de los pioneros de la bachata, pero el \"jumo\" que llevaba era tal que, cuando llegaron a la Federico Vel\u00e1zquez esquina Albert Thomas, mi pap\u00e1 le dijo: \"Terror, ya llegamos\", y Luis, al bajarse del carro, dej\u00f3 la guitarra atr\u00e1s. Mi pap\u00e1, ri\u00e9ndose, tuvo que ir tras \u00e9l toc\u00e1ndole las bocinas para devolverle la guitarra que hab\u00eda olvidado.<\/p>\n\n\n\n

Nunca me hab\u00eda atrevido a contarle a Luis esta an\u00e9cdota, pero cuando finalmente lo hice, explot\u00f3 a carcajadas y me dijo que s\u00ed, que se acordaba de ese d\u00eda. Siempre me trat\u00f3 con generosidad. Habl\u00e1bamos y re\u00edamos juntos, y siempre nos divert\u00edamos. Recuerdo que en una ocasi\u00f3n, \u00e9l me dijo: \"Tu pap\u00e1 fue un duro\". Se refer\u00eda a mi pap\u00e1 como \"El Estudiante\", apodo que le daban por los diferentes rebuses que le armaba a Balaguer durante los doce a\u00f1os de su gobierno. Algo bastante parad\u00f3jico, ya que uno de los motivos por los cuales Balaguer lleg\u00f3 a conocer a Trujillo fue por el abuelo de mi pap\u00e1, Piro Estrella.<\/p>\n\n\n\n

En lo personal, no conozco a ning\u00fan compositor dominicano con m\u00e1s canciones grabadas que las que le grabaron a Luis. Su capacidad para cambiar de g\u00e9neros y hacerlos suyos era incomparable. No conozco otro artista que tuviera esa versatilidad.<\/p>\n\n\n\n

Esa noche, Joselo y yo and\u00e1bamos por la zona colonial, viendo exposiciones y visitando a entra\u00f1ables amigos. Para algunos de ellos, vivir en la zona colonial era un sue\u00f1o, y esa emoci\u00f3n se nos transmit\u00eda como si el logro hubiera sido nuestro. Visitamos una exposici\u00f3n de arte espa\u00f1ol en el Centro Cultural de Espa\u00f1a, subimos a Casa de Teatro, y justo al frente vimos a Luis, solo. Nos acercamos como siempre lo hac\u00edamos, ped\u00ed un pote de ron, lo salud\u00e9 y comenc\u00e9 a hablar con \u00e9l. Fui tan idiota que le pregunt\u00e9 sin mediar palabras: \"Maestro, \u00bfy lo de Shakira?\" Sonriendo, me dijo: \"Mira el regalo que me mand\u00f3 la Shaki\" mientras sonre\u00eda. Esa sonrisa nos contagi\u00f3, a Joselo y a m\u00ed, mientras yo destapaba el ron, le echaba el trago de los muertos y me serv\u00eda medio vaso, luego se lo pasaba a Joselo.<\/p>\n\n\n\n

Me dio mucho gusto que Luis estuviera solo aquel d\u00eda. Tomaba ron blanco a pico de botella y tarareaba una canci\u00f3n que sonaba en el colmado. La m\u00fasica estaba alta, y Luis le grit\u00f3 al due\u00f1o del colmado que bajaran un poco el volumen. El mismo Terror<\/em> de siempre, dominando el ambiente y dando \u00f3rdenes como si tuviera alg\u00fan poder sobre el due\u00f1o, que obedeci\u00f3 y pregunt\u00f3: \"\u00bfEst\u00e1 bien?\" Luis asinti\u00f3 con la cabeza sin siquiera mirarlo, mientras yo le hablaba de la salud de mi pap\u00e1, que hab\u00eda sido operado del coraz\u00f3n.<\/p>\n\n\n\n

En ese momento, alguien le dijo algo sobre una canci\u00f3n, y Luis le grit\u00f3 con una voz que parec\u00eda amplificada por un equipo de sonido: \"\u00a1Co\u00f1o! Yo no tengo que estar escribi\u00e9ndole a ning\u00fan cubano del diablo!\" Joselo y yo nos explotamos de la risa, mientras Luis se manten\u00eda muy serio. Esa noche entend\u00ed que, quiz\u00e1s por lo fuerte de su voz, le llamaban El Terror<\/em>.<\/p>\n\n\n\n

En un abrir y cerrar de ojos, el lugar se llen\u00f3 de gente. Entend\u00ed que ya no hab\u00eda nada m\u00e1s que decirle. \"Adi\u00f3s\" era la palabra que ten\u00eda en mente, pero no la dije. Una obsenidad, ante lo bueno que estaba el ambiente. Lo mir\u00e9, lo abrac\u00e9, y sal\u00ed del colmado con la m\u00fasica alta otra vez. Dej\u00e9 la botella vac\u00eda junto a otras justo al frente del colmado, entre esos j\u00f3venes que admiraban a Luis. Poco a poco, fumando, me alej\u00e9 del colmado y cruc\u00e9 la calle. Joselo vino conmigo, caminamos atravesando la calle El Conde, cruzamos la Palohincado y llegamos hasta la calle 30 de Mayo, donde tomamos un carro de concho<\/em> Al montarnos, me di cuenta de que ya era de d\u00eda.<\/p>","protected":false},"excerpt":{"rendered":"

Juan ButtenJanuary 21, 2025 On December 8, 2009, the most widely circulated newspapers in the Dominican Republic reported the death 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